Stereo Sound System S3

The signal is then routed to a bus, also known as a mix group, subgroup or simply 'group'. A group of signals may be routed through an additional bus before being sent to the main bus to allow the engineer to control the levels of several related signals at once. For example, all of the different microphones for a drum set might be sent to their own bus so that the volume of the entire drum set sound can be controlled with a single fader or a pair of faders.[6] A bus can often be processed just like an individual input channel, allowing the engineer to process a whole group of signals at once.

The signal is then typically routed with everything else to the stereo masters on a console. Mixing consoles also have additional sends, also referred to as auxes, on each input channel so that a different mix can be created and sent elsewhere. The signal is then routed to a bus, also known as a mix group, subgroup or simply 'group'. A group of signals may be routed through an additional bus before being sent to the main bus to allow the engineer to control the levels of several related signals at once.

For example, all of the different microphones for a drum set might be sent to their own bus so that the volume of the entire drum set sound can be controlled with a single fader or a pair of faders.[6] A bus can often be processed just like an individual input channel, allowing the engineer to process a whole group of signals at once. The signal is then typically routed with everything else to the stereo masters on a console. Mixing consoles also have additional sends, also referred to as auxes, on each input channel so that a different mix can be created and sent elsewhere.

The signal is then routed to a bus, also known as a mix group, subgroup or simply 'group'. A group of signals may be routed through an additional bus before being sent to the main bus to allow the engineer to control the levels of several related signals at once. For example, all of the different microphones for a drum set might be sent to their own bus so that the volume of the entire drum set sound can be controlled with a single fader or a pair of faders.[6] A bus can often be processed just like an individual input channel, allowing the engineer to process a whole group of signals at once. The signal is then typically routed with everything else to the stereo masters on a console. Mixing consoles also have additional sends, also referred to as auxes, on each input channel so that a different mix can be created and sent elsewhere.